Meet the Grandparents of Fonts

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Gutenberg’s printing press not only meant that the growth of information was changed forever , but so was the show of that information. Even in the times of the manual printing press, there were a lot of options of fonts and a variety of typefaces to make a choice from. Different fonts had different feelings to them, visually influenced the message that readers read. And that wasn’t simply an issue of readability, though that was critical too.

Fonts could grab attention ; insert character into a flyer or paper. Naturally, due to readability these fonts were often utilised for display only and stayed within the boundaries of press releases and paper titles. If the entire body text of the NY Times were in the font utilized for the paper’s title, it would be practically meaningless. But that big, bold, complicated free font captures your attention doesn’t? That font itself is the Times brand.

Just like the font employed in the title of the film Transformers is also part of the logo. A font, which by the way, you will find here on Sendfont. But all fonts begin someplace, have similar roots. Most fonts today are simply variances of others and at times are very different to inform apart unless you’re attempting to find it. And even then I continue to can’t spot the difference between Times and Times New Roman, or Myraid Pro and Ariel. So lets take a look at it where all of the free fonts available here just about come from. Since the printing press, there were two basic classes : roman and blackletter. Roman fonts are older ones, utilized by the Romans themselves. They didn’t invent the letters but the Greeks did that, but they did mess around with the characters.

These sort of fonts are crisp and clear, where it’s easy to distinguish one letter from another. Most body fonts, those people are most familiar with, are of this variety nonetheless as times progressed lettering became more hasty, compressed, and angular and the Middle Ages rolled in. For this, you can blame monks, because they really were the only ones who knew how to read and right. It had been a style that took longer to write, but more complicated and thus glorious to eat up time for those with little to do around monasteries. So that you can thank blackletter writers for the majority of the beautiful display fonts. Leaving the friars to do the stunning calligraphy, those not ordained continued to use roman fonts when writing, though the characters became more fluid, curvy, and a touch slanted to lower the time needed to draft a document. It is this roman style that led on to italics. And thus when Gutenburg’s press required fonts to print in they took styles of the roman and blackletter type. And as time went on adaptations of these font styles bloomed, creating the flood of options we have here in the digital age. But Grandma and grandpa are not dead yet. They have basically managed to stay alongside of the times rather well.

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